Intangible
Concept
To be one with everything.
To feel part of the big bang in plain terms. As if we could vividly understand we’re made from a vast everything that once exploded and turned into a zillion organisms that have very slowly transformed into something else.
If we could share our thoughts without any noise. No baggage, no agenda, no prejudices, we could have a pure understanding of one another. Entwined, with no separation.
Ideas could flow freely and everything could be magnified. A singular entity within a plural species.
Aesthetically, I needed to stray away for the familiarity of my own design. I was hungry for it. I went back to the old images that have been imprinted in my mind. This is still a work in progress.
Back in high school, I hung out with a bunch of kids that were deep into cinema. We all joined a cinema club helmed by a teacher that was an avid fangirl of horror, surreal and Cahiers du Cinema,
the legendary magazine that had collaborators like François Truffaut and Jean-Luc Godard. From a very young age I knew I wanted to be involved in film and from that point on, I started taking cinema more seriously, and was keen on seeing everything that I could get my hands on. That quest, led me to amazing names like Ken Russell, Peter Greenaway, Kenneth Anger, Shinya Tsukamoto, Matthew Barney and his Cremaster Cycle.